CHOREOGRAF
Toni Randjelovic graduated at the "Isidor Bajić" Music and the State Ballet Academy in Novi Sad. He graduated in June 1986 in the class of the ballet master Vera Fela. He began his ballet career at the Serbian National Theater as a full-time member of the ballet ensemble on August 25, 1987, and became the first soloist in 2001.
Already in the first seasons (1988/89), he played solo roles: Miguel, the bullfighter in Ludwig Minkus's Don Quixote, The Spanish Game, solo in Tchaikovsky's Swan Lake, Pas de deux in Adolf Charles Adam's Giselle, The Thug in Zoran Mulić's Eternal Groom, Andraš in Sh'ma (Listen) by Mitar Subotić, Archangel Michael in Andrej Petrov's Creation of the World, Ivan in Igor Stravinsky's Firebird.
In 1994, he received the SNP's Annual Award for his role as King Milutin in The King's Autumn of Yugoslavia.
In November 2017, he marked 30 years of artistic work in the SNP with the role of Kitra's father, in the play Don Quixote by Ludwig Minkus (directed and choreographed by D. Harangozo).
He became the acting director of UJ Ballet in March 2017, and since February 2018 he is the director of the ballet company of the Serbian National Theatre in Novi Sad.
Performances in the Serbian National Theater
Ballets by local authors
• Dvorjani-narod / Orion, Miroslav Štatkić, directed and choreographed by Slavko Pervan (Sarajevo); premiere: April 12, 1988;
• Eternal Groom, Zoran Mulić; libretto, choreography and direction: Lidija Pilipenko (Belgrade); from the 1988/1989 season;
• Andraš / Sh'ma (Listen) by Mitra Subotić Sube; direction and choreography by Suki John; premiere April 26, 1990;
• Ensemble member (1991/1992), Otac (2003/2004) / Altum silencijum, Stevan Divjaković; direction and choreography: Zlatko Mikulić (Sarajevo); premiere: June 6, 1992; premiere: (November 20, 1998).
• King Milutin / King's Autumn, Yugoslavia Bosniak; libretto, choreography and direction: Krunislav Simić; premiere: September 25, 1993;
• Hadži Toma / Koštana, Petar Konjović; libretto, choreography and direction: Vladimir Logunov, premiere: February 24, 2001;
• Father of Don Anna / Don Juan, Boris Kovač; choreographer: Andrew Peter Greenwood, director: Omar Abu el Rub; premiere: November 10, 2001
Ballet classics
• Miguel / Don Quixote, Ludwig Minkus, choreography and direction: Iko Otrin (Maribor), from the 1988/1989 season;
• Pas de deux / Giselle, Adolf Charles Adam; choreography and direction by Milica Jovanović; from the 1989/1990 season;
• Spanish Game, solo / Swan Lake, Petar Ilyich Tchaikovsky; choreography by Mario Petipa /L. Ivanov; director: Konstantin M. Sergeev, Natalia M. Dudinskaya (Leningrad); from the 1989/1990 season;
• Atlantis, Manuel de Falla, Ernesto Halter; KPGT; director: Ljubiša Ristić; choreography: Nada Kokotović; premiere: March 24, 1990
• Archangel Michael / Creation of the world, Andrej Petrov; choreography and direction: Iko Otrin; premiere April 20, 1991;
• Polovtsian camp / Prince Igor — opera, Alexander Porfiryevich Borodin; choreographer after Mihail Fokin Katarina Obradović; renewed premiere: May 9, 1991;
• Mice / Krcko Orašić, Petar Ilyich Tchaikovsky; choreography and direction: Valery Kovtun (Kiev); premiere: December 21, 1991;
• Spanish Game, solo / Swan Lake, Peter Ilyich Tchaikovsky; choreography by Mario Petipa /L. Ivanov, F. Lopuhov; directed by Valery Kovtun (Kiev); premiered on March 14, 1992.
• Poet — Mazurka, op. 33, no. 3 / Sylphide (Chopiniana), Frederic Chopin; choreography by Mihail Fokin transferred by: Rastislav Varga, Leonora Miller Hristidis, Julijana Dutina, Gabriela Teglaša Velimirović, 1999;
• Cinderella, Sergei Prokofiev
• Boy / Mischief, Louis Joseph Ferdinand Herold; choreography and direction: Iko Otrin (Maribor); premiere: May 3, 1986
• Camille de Rosillon / The Merry Widow, Franz Lehar, Angel Shurev; choreographer and director: Vadim Fedotov (Kiev); premiere: March 1, 1996;
• Firebird, Igor Stravinsky
• Body, Ariel Ramirez; choreographer: Andrew Peter Greenwood (Andrew Peter Greenwood); premiere: January 20, 2001;
• The newly minted dude / The lady and the hooligan, Dmitri Dmitrievich Shostakovich; choreography and direction: Viktor Litvinov (Kiev); premiere April 28, 2001;
• Beck the Tailor / Max and Moritz, Gioachino Rossini; choreography: Peter Marcus (Peter Marcus), adapt. choreographer. Ferenc Barbay (Barbay Ferenc); 2002;
• Eurasia's Dad / Pippi Longstocking, Kruno Cipci; libretto, choreography and direction by Iko Otrin; premiere April 21, 2005
• Lord Capulet / Romeo and Juliet, Sergei Prokofiev; libretto, choreography and direction: Istvan Hercog; premiere: March 17, 2007;
• Second Cadet / Cadet Ball, Johann Strauss; choreography by David Lišin transferred by: Gabriela Teglaša Velimirović; premiere: November 26, 1999;
• Concerto for violin and orchestra in E major, Johann Sebastian Bach
• Gala ballet evening, Igor Stravinsky
• Cleopatra / Basil Polidoris
• Rhapsody collage by Franz Liszt
• Francesca of Rimini, P. I. Tchaikovsky
• Kitra's father Lorenzo / Don Quixote, Ludwig Minkus; according to Marius Petipa's choreography, choreographer and director: Harangozó Gyula, Hungary; premiere: December 18, 2010
Participation in opera performances
• Gilgamesh, Rudolph Bruchi;
• Prince Igor, The Bat, Johann Strauss;
• Traviata, Giuseppe Verdi;
• Princess Čardaša, Imre Kalman;
• Fiddler on the Roof, Joseph Stein — Jerry Bock
• Carmen (suite), Georges Bizet-R. Shchedrin
Participation in dramatic performances
• Dumansk tishine, Slobodan Schneider
• Aretej, Miroslav Krleža; KPGT Subotica
He toured with the Serbian National Theater in many places and cities in the country, as well as abroad: Baghdad (Iraq), Timisoara (Romania), Banja Luka (Republika Srpska), Skopje (Macedonia), Kotor, Herceg Novi, Podgorica (Montenegro), Sarajevo (Bosnia and Herzegovina).
Independent guest appearances in the country and abroad
In addition to working in the SNP, Toni Ranđelović also had independent guest appearances:
• Ophelia in the mirror, Belgrade, Atelje 212; guest appearance in Cyprus with the same show, 1994;
• Vronsky / Anna Karenina, Rodion Shchedrin, National Theater Rome, 1995
Cooperation in the field of ballet
• During his long career, he collaborated with numerous ballet pedagogues and choreographers from the country and the world: Valery Lagunov, Konstantin Sergeev, Natalia Dudinskaya, Viktor Litvinov, Vadim Fedotov, R. Albertović Kljavin, Ferenc Barbai, István Herzog, Gyula Harangozo, Suki John, Andrew P. Greenwood, Valerij Kovtun, Boris Tonin, Stevan Grebeldinger, Slavko Pervan, Drago Boldin, Iko Otrin, Nada Kokotović, Aja Jung, Milica Jovanović, Krunislav Simić, Vladimir Logunov, Dobrila Novkov, Julijana Sremac.
• He collaborated with directors: Miro Erceg, Dušan Jovanović, Ljubiša Ristic.
• As a member of the jury together with: Ashhen Ataljanc, Milica Bjelic, Edina Papo, Bahram M. Juldašev participated in the Second International Ballet Competition "Kostadinka Dina Nikolić" organized by the Ballet School "Dimitrije Parlić" Pančevo, which took place from June 21 to 23 2019, in the Cultural Center of Pancevo. This competition is the only professional ballet competition organized in Serbia by state ballet schools, besides the Republic competition.
References
1. ^ SAVIĆ, Svenka. 55 years of the Ballet School in Novi Sad, Novi Sad: Futura Publications, 2004, p. 231.
2. ^ Ballet: the first fifty years: 1950—2003. Krčmar, Vesna. Novi Sad: Serbian National Theatre. 2004. ISBN 8680951172 Check the value of the |isbn= parameter: checksum (help). OCLC 500285097.
3. ^ "TONI RANĐELOVIĆ | Serbian National Theater". www.snp.org.rs. Accessed on 6/18/2019.
4. ^ Yearbook of the Theater of Serbia, edited by Biljana Levakov, Novi Sad: Sterijino pozorje, several years.
5. ^ "Notices; Second International Ballet Competition "Kostadinka Dina Nikolić". Ballet school "Dimitrije Parlić" (in Serbian language). Archived from the original on November 1, 2019. Retrieved 6/25/2019 Invalid entry |dead-url=dead (help)
External links
• Prof. Bahram Yuldashev, member of the Jury II of the International Competition in Pancevo Archived at the Wayback Machine (October 24, 2020)
• Toni Ranđelović: Every appearance on stage is a gift and a joy
• Toni Ranđelović, SNP ballet director: We have been creating magic with serious work for almost 70 years
Toni Ranđelović (Novi Sad, 26. jun 1966) baletski je igrač Srpskog narodnog pozorišta (1987—2017) i direktor Baleta SNP-a
Biografija
Završio je Muzičku školu „Isidor Bajić” i Državnu baletsku školu u Novom Sadu. Diplomirao je juna 1986. u klasi profesorke baleta Vere Fele.
Započinje svoju baletsku karijeru u Srpskom narodnom pozorištu kao stalno zaposleni član baletskog ansambla 25. avgusta 1987, da bi 2001. postao prvi solista.[1]
Već u prvim sezonama (1988/89) igra solističke uloge i to: Miguela, toreadora u Don Kihotu Ludviga Minkusa, Špansku igru, solo u Labudovom jezeru Čajkovskog, Pas de deux u Žizeli Adolfa Šarla Adama, Nasilnika u Večitom mladoženji Zorana Mulića, Andraša u Sh’ma (Slušaj) Mitra Subotića, Arhanđela Mihaila u Stvaranju sveta Andreja Petrova, Ivana u Žar ptici Igora Stravinskog.
Za ulogu Kralja Milutina u Kraljevoj jeseni Jugoslava Bošnjaka 1994. godine dobija Godišnju nagradu SNP-a.[2]
U novembru 2017. obeležio je 30 godina umetničkog rada u SNP-u ulogom Kitrin otac, u predstavi Don Kihot Ludviga Minkusa (režija i koreografija Đ. Harangozo).
Vršilac dužnosti direktora UJ Balet postaje marta 2017, a od 1. februara 2018. je direktor Baleta SNP-a.[3]
Postavke u Srpskom narodnom pozorištu
Baleti domaćih autora
• Dvorjani-narod / Orion, Miroslav Štatkić, režija i koreografija Slavko Pervan (Sarajevo); premijera: 12. april 1988;
• Večiti mladoženja, Zoran Mulić; libreto, koreografija i režija: Lidija Pilipenko (Beograd); od sezone 1988/ 1989;
• Andraš / Sh’ma (Slušaj) Mitra Subotića Sube; režija i koreografija Suki Džon (Suki John); premijera 26. april 1990;
• Član ansambla (1991/1992), Otac (2003/2004) / Altum silencijum, Stevan Divjaković; režija i koreografija: Zlatko Mikulić (Sarajevo); premijera: 6. jun 1992; premijera: (20. novembar 1998).
• Kralj Milutin / Kraljeva jesen, Jugoslav Bošnjak; libreto, koreografija i režija: Krunislav Simić; premijera: 25. septembar 1993;
• Hadži Toma / Koštana, Petar Konjović; libreto, koreografija i režija: Vladimir Logunov, premijera: 24. februar 2001;
• Otac Dona Ane / Don Huan, Boris Kovač; koreograf: Endru Piter Grinvud (Andrew Peter Greenwood), reditelj: Omar Abu el Rub; premijera: 10. novembar 2001.[4]
Baletski klasici
• Miguel / Don Kihot, Ludvig Minkus, koreografija i režija: Iko Otrin (Maribor), od sezone 1988/1989;
• Pas de deux / Žizela, Adolf Šarl Adam; koreografija i režija Milica Jovanović; od sezone 1989/1990;
• Španska igra, solo / Labudovo jezero, Petar Ilič Čajkovski; koreografija Mario Petipa /L. Ivanov; režija: Konstantin M. Sergejev, Natalija M. Dudinskaja (Lenjingrad); od sezone 1989/1990;
• Atlantida, Manuel de Falja, Ernesto Halfter; KPGT; režija: Ljubiša Ristić; koreografija: Nada Kokotović; premijera: 24. mart 1990.
• Arhanđel Mihailo / Stvaranje sveta, Andrej Petrov; koreografija i režija: Iko Otrin; premijera 20. april 1991;
• Polovecki logor / Knez Igor — opera, Aleksandar Porfirjevič Borodin; koreograf po Mihailu Fokinu Katarina Obradović; obnovljena premijera: 9. maj 1991;
• Miševi / Krcko Oraščić, Petar Iljič Čajkovski; koreografija i režija: Valerij Kovtun (Kijev); premijera: 21. decembar 1991;
• Španska igra, solo / Labudovo jezero, Petar Iljič Čajkovski; koreografija Mario Petipa /L. Ivanov, F. Lopuhov; režija Valerij Kovtun (Kijev); premijera 14. mart 1992.
• Pesnik — Mazurka, op. 33, br. 3 / Sylphide (Šopenijana), Frederik Šopen; koreografiju po Mihailu Fokinu preneli: Rastislav Varga, Leonora Miler Hristidis, Julijana Dutina, Gabriela Teglaši Velimirović, 1999;
• Pepeljuga, Sergej Prokofjev
• Momak / Vragolanka, Luj Jozef Ferdinand Herold; koreografija i režija: Iko Otrin (Maribor); premijera: 3. maj 1986.
• Kamij de Rosijon / Vesela udovica, Franc Lehar, Angel Šurev; koreograf i reditelj: Vadim Fedotov (Kijev); premijera: 1. mart 1996;
• Momak (pet momaka) / Konjić Grbonjić, Rodion Konstantinovič Ščedrin; koreograf i reditelj: Viktor Litvinov; premijera: 2. oktobar 1996;
• Žar ptica, Igor Stravinski
• Telo, Ariel Ramirez; koreograf: Endru Piter Grinvud (Andrew Peter Greenwood); premijera: 20. januar 2001;
• Novopečeni frajer / Gospođica i huligan, Dmitrij Dmitrijevič Šostakovič; koreografija i režija: Viktor Litvinov (Kijev); premijera 28. april 2001;
• Krojač Bek / Maks i Moric, Đoakino Rosini; koreografija: Peter Markus (Peter Marcus), adapt. koreograf. Ferenc Barbai (Barbay Ferenc); 2002;
• Tata Evrazije / Pipi duga čarapa, Kruno Cipci; libreto, koreografija i režija Iko Otrin; premijera 21. april 2005.
• Lord Kapulet / Romeo i Julija, Sergej Prokofjev; libreto, koreografija i režija: Ištvan Hercog; premijera: 17. mart 2007;
• Drugi kadet / Bal kadeta, Johan Štraus; koreografiju po Dejvidu Lišinu prenela: Gabriela Teglaši Velimirović; premijera: 26. novembar 1999;
• Koncert za violinu i orkestar u E-duru, Johan Sebastijan Bah
• Gala baletsko veče, Igor Stravinski
• Kleopatra / Bazil Polidoris
• Kolaž rapsodije Franc List
• Frančeska od Riminija, P. I. Čajkovski
• Kitrin otac Lorenco / Don Kihot, Ludvig Minkus; po koreografiji Marijusa Petipaa, koreograf i reditelj: Đula Harangozo (Harangozó Gyula), Mađarska; premijera: 18. decembar 2010.
Učešće u operskim predstavama
• Gilgameš, Rudolf Bruči;
• Knez Igor, Slepi miš, Johan Štraus;
• Travijata, Đuzepe Verdi;
• Kneginja čardaša, Imre Kalman;
• Violinista na krovu, Džozef Stejn — Džeri Bok
• Karmen (svita), Žorž Bize-R. Ščedrin
Učešće u dramskim predstavama
• Dumanske tišine, Slobodan Šnajder
• Aretej, Miroslav Krleža; KPGT Subotica
Sa Srpskim narodnim pozorištem je gostovao po mnogim mestima i gradovima u državi, kao i u inostranstvu: Bagdad (Irak), Temišvar (Rumunija), Banjaluka (Republika Srpska), Skoplje (Makedonija), Kotor, Herceg Novi, Podgorica (Crna Gora), Sarajevo (Bosna i Hercegovina).
Samostalna gostovanja u zemlji i inostranstvu
Pored rada u SNP-u, Toni Ranđelović je imao i samostalna gostovanja:
• Ofelija u ogledalu, Beograd, Atelje 212; sa istom predstavom gostovanje na Kipru, 1994;
• Vronski / Ana Karenjina, Rodion Ščedrin, Nacionalni teatar Rim, 1995;
Saradnje u domenu baleta
• Tokom dugogodišnje karijere je sarađivao sa mnogobrojnim baletskim pedagozima i koreografima iz zemlje i sveta: Valerij Lagunov, Konstantin Sergejev, Natalija Dudinskaja, Viktor Litvinov, Vadim Fedotov, R. Albertović Kljavin, Ferenc Barbai, Ištvan Hercog, Đula Harangozo, Suki Džon, Endru P. Grinvud, Valerij Kovtun, Boris Tonin, Stevan Grebeldinger, Slavko Pervan, Drago Boldin, Iko Otrin, Nada Kokotović, Aja Jung, Milica Jovanović, Krunislav Simić, Vladimir Logunov, Dobrila Novkov, Julijana Sremac.
• Sarađivao je s rediteljima: Mirom Erceg, Dušanom Jovanovićem, Ljubišom Ristićem.
• Kao član žirija zajedno sa: Ašhen Ataljanc, Milicom Bjelić, Edinom Papo, Bahram M. Juldaševim učestvovao na Drugom međunarodnom baletskom takmičenju „Kostadinka Dina Nikolić” u organizaciji Baletske škole „Dimitrije Parlić” Pančevo koje se održalo od 21. do 23. juna 2019, u Kulturnom centru Pančeva. Ovo takmičenje je jedino profesionalno baletsko takmičenje koje se organizuje u Srbiji od strane državnih baletskih škola pored Republičkog takmičenja.[5]
Reference
1. ^ SAVIĆ, Svenka. 55 godina Baletske škole u Novom Sadu, Novi Sad: Futura publikacije, 2004. str, 231.
2. ^ Balet : prvih pedeset godina : 1950—2003. Krčmar, Vesna. Novi Sad: Srpsko narodno pozorište. 2004. ISBN 8680951172 Proverite vrednost parametra |isbn=: checksum (pomoć). OCLC 500285097.
3. ^ „TONI RANĐELOVIĆ | Srpsko narodno pozorište”. www.snp.org.rs. Pristupljeno 18. 6. 2019.
4. ^ GODIŠNjAK pozorišta Srbije, uredništvo Biljana Levakov, Novi Sad: Sterijino pozorje, više godišta.
5. ^ „Obaveštenja; Drugo međunarodno baletsko takmičenje „Kostadinka Dina Nikolić“”. Baletska škola "Dimitrije Parlić" (na jeziku: srpski). Arhivirano iz originala 01. 11. 2019. g. Pristupljeno 25. 6. 2019. Nevalidan unos |dead-url=dead (pomoć)
Spoljašnje veze
• Prof. Bahram Juldašev član Žirija II Međunarodnog takmičenja u Pančeva Arhivirano na sajtu Wayback Machine (24. октобар 2020)
• Тони Ранђеловић: Сваки излазак на сцену поклон је и радост
• Toni Ranđelović, direktor baleta SNP: Ozbiljnim radom stvaramo magiju već skoro 70 godina
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